‘Conqueror’ is about a world that is kind of falling apart around you, and you’re looking for a conqueror to save you. But you’re looking for the conqueror in someone else, which I think is something you should not do. You should find the conqueror in yourself first, and be your own hero. If you stand strong, then you will stand for a bit longer.
This installment of music-i-like deals with a specific album, because I feel like I don’t know enough about the artist
Hans-Peter Lindstrøm to talk about him in general,
but I still want to share the album in question. Smalhans (2012) is refreshingly different album from what I usually
listen to. It has a simple formula: simple melodies on top of beats that steadily keep on going, all building towards…
well, it doesn’t matter. In Smalhans it’s not about the destination, it’s about the journey. Perfect music for when you
are driving but are not in any rush to get to where you are going. Also, it has fun track names, like Fāār-i-kāāl and
AURORA, or Aurora Aksnes, is my latest discovery. She is a young Norwegian singer with an awesome voice and who is
already showing some serious promise as a songwriter – she has written most of her songs herself, and they already sound
– to me – better than those from some famous popstars. AURORA has been gaining popularity fast recently, getting good
reviews and being endorsed by people like
What I like about AURORA, other than her being a really good singer, is that she conveys a lot of her emotion through
her hands and body while she sings. In some songs she can be seen clutching her dress as if to keep her from exploding,
whereas in others she dances around the stage in a frenzy. That makes her live sessions fun to watch – and as with any
good artist, they are as good as, or even better than the studio versions.
Still waiting for that album, though. I hear it’s coming in the beginning of 2016 and I can barely wait. AURORA has, in
a week’s time, dominated my 365-day “Most played tracks” statistic (one more playthrough and every track on the
top 10 will be hers). I’m expecting great things from her.
This is kind of a funny entry since I’m usually not into this kind of radio pop, but for some reason Linnea’s songs
work for me. I don’t know why, but I’m not ashamed to admit it either. Just listen, they’re good.
A relatively new electronic band consisting of Iain Cook, Martin Doherty and the main vocalist Lauren Mayberry. I bumped
into this band while reading the Guardian one day, randomly clicking on an article about Internet bullying. Turns out
Lauren had received a lot of terrible messages on the net and had written an article about the matter. I decided to
check them out on YouTube and was blown away. I bought their album The Bones of What You Believe the same day and the
next one, Every Open Eye, when it was available. As a fan of many kinds of electronic music their tracks really click
for me. I really enjoy Lauren’s singing voice, and the sound that accompanies it is really good both technically and
musically. I think my favorite moment is when the melody hits in the song Tether (the first example below).
A Swedish folk duo consisting of two sisters, Johanna and Klara Söderberg. From their sound you would never guess they
were Swedish, though. They sing american-ish folk and country songs in a really soothing way, and their voices form some
of the best harmonies I have heard. Their story is what
modern technology has made possible: they uploaded themselves singing duettos on MySpace and were subsequently picked up by a record
label. I was never really into this kind of music before, but instantly got a liking to their albums. I really recommend
checking them out.
A remarkable band of four women from Norway. An amalgamation of talent in both singing and playing, the band members
play a total of fifteen instruments, which they switch between seamlessly during their live gigs. Their music is really
something different, hard to describe and hard to put a label on. That is why I won’t even try to pick a genre for them,
they need to be heard to truly know. A total shame, though, that their latest album, Rockland, failed to live up to
my expectations and was quite toned down from the previous two. It wasn’t bad, it was just… ok. Here’s hoping they will
release more music in the future and catch some of that spark again.
Trio Töykeät are the name to know in Finnish jazz. Extremely well crafted jazz pieces played with precision and
finesse. The musicians themselves are the best Finland has to offer in the genre. I can’t find more words to describe
their special qualities, so maybe let the examples speak for themselves.
To me, Bo Kasper (Bo Sundström) is the J. Karjalainen of Sweden. Maybe that’s a blasphemous statement to some, but I
find many parallels between them. At the very least I enjoy listening to both of them equally. Bo Kaspers Orkester have
consistently upped themselves through the years, creating some awesome jazz, rock and pop songs. Personally I have
enjoyed each record more than the last one, culminating in Du borde tycka om mig.
A huge name in Finnish rock music, he is also a very prolific singer-songwriter that has covered rock, blues, country
and other genres with success. Some of the most memorably tunes in Finnish music have come from his inventive mind. He
has a very recognizable singing voice and deals with all kinds of different themes in his songs. Personally I enjoy the
big variety of his discography and his signature harmonica sound, which can be heard in many songs.